Comparative Film Analysis : Robert zemeckis films. – Essaylink
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Free InquiryIn this comparative film analysis we will focus on Robert Zemeckis films. To begin this work, you must first select an approach from those that we read in The Art of Watching Films and discussed in class. Then select the film(s) you wish to consider with this approach.
Comparative Film Analysis : Robert zemeckis films.
In your first two essays you identified, analyzed, interpreted and discussed specific cinematic elements that combine together to create a film viewing experience. In so doing, you focused your attention on an extremely narrow aspect of a single film. This time, however, you will focus your attention on the similarities and/or differences between two or more texts, at least one of which is a film, and develop an argument about how these similarities and/or differences give insight to a specific director, social environment, or the texts themselves.
Comparative Film Analysis : Robert Zemeckis films.
To begin this work, you must first select an approach from those that we read in The Art of Watching Films and discussed in class and then select the film(s) you wish to consider with this approach. Specifically, “Chapter 11: Director’s Style” explains Auteur Theory. How an analysis of similarities among a specific director’s works can illuminate that director’s personality or philosophy as expressed through the language of film. If you choose to work with this approach, choose at least three films from a single director’s oeuvre (complete works). So that the similarities you identify are apparent and consistent.
Comparative Film Analysis : Robert Zemeckis films.
You might, for instance, choose to study how Alfred Hitchcock uses the same character types. The beautiful, yet emotionally cold blonde female. The man with the mistaken identity, or the overbearing mother in many of his films. Or how Stanley Kubrick uses similar cinematography (the slow zoom in and zoom out) in his films. Or how Robert Zemeckis uses the theme of manipulating the past to suit the demands of the present in his films. “Chapter 13: Adaptations” discusses another approach you can take with this essay.
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