W‌‍‍‍‌‍‍‍‍‌‍‍‌‌‌‌‍‍‍‌rite an research report in the area of nPVI-value in Musicology – Essaylink

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W‌‍‍‍‌‍‍‍‍‌‍‍‌‌‌‌‍‍‍‌rite an research report in the area of nPVI-value in Musicology. Evaluation criteria checklist: – Does the report pose a research question that can be answered within the duration of the course (4 weeks)?

W‌‍‍‍‌‍‍‍‍‌‍‍‌‌‌‌‍‍‍‌rite an research report in the area of nPVI-value in Musicology

W‌‍‍‍‌‍‍‍‍‌‍‍‌‌‌‌‍‍‍‌rite an research report in the area of nPVI-value in Musicology.

Evaluation criteria checklist:

– Does the report pose a research question that can be answered within the duration of the course (4 weeks)?

A well-circumscribed research question will be graded higher than an ambitious research question.

– Does the report provide insight into current debates and discourses concerning your topic of research?

Moreover, if the report does not provide an answer to the rese‌‍‍‍‌‍‍‍‍‌‍‍‌‌‌‌‍‍‍‌arch question.

Does it provide specific and well-considered further leads for research into the topic?

Further, does the report argue one (or if feasible: more) main point(s) that enable the reader to reconsider existing insights into the topic? (Again: the reconsideration can be very small, pertaining to the interpretation of terms, stances in debate, etc.) Finally, are the number of words appropriate to the actual content of the report? – Are grammar and spelling flawless‌‍‍‍‌‍‍‍‍‌‍‍‌‌‌‌‍‍‍‌?

More details;

The normalized pairwise variability index (nPVI) is a measure originally used to compare the rhythms of languages. Patel and Daniele (2003a) introduced the nPVI to music research and it has since been used in a number of studies. In this paper, I present a methodological criticism of the nPVI as applied to music. I also discuss the known qualitative features of the nPVI and illustrate the nPVI’s fundamental features and assumptions through its application to a number of musical datasets.

My principle criticism regards the application of a linear average (the nPVI) to categorical data (rhythmic notation). I argue that that simpler mathematical characterizations, which are more musically intuitive, can capture the same useful information as the nPVI. Specifically, counting the proportion of successive IOIs that are identical accounts for as much as 98% of variation in nPVIs in musical corpora. I argue that abstract mathematical measures ought to be avoided in preference for more concrete empirical descriptions of specific rhythmic

 

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